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NewLights Press: IDE(A/O)(B)LOG(Y/UE)

20111122

"SPEAK OF THIS TO NO ONE"


http://english.utah.edu/eclipse/projects/VIGILANCE/
Posted by NewLights Press: Et Al. at 7:38:00 AM
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NewLights Press: Et Al.
Colorado Springs, CO
The NewLights Press is an independent publisher of experimental writing and artists’ books, concentrating on where the two can and do overlap. Use the links in the sidebar to view and/or purchase any publications. Questions, comments? Contact Aaron Cohick at: newlightspressATgmailDOTcom.
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BOOKS!

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BROADSIDES!

Click here to view all of the NewLights Press broadsides.

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WANNA TRADE?

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ZZZZZZZZZZZZZ [AN ISLAND]: $15

KC TROMMER "MEAT COVE, CAPE BRETON" BROADSIDE: $80

BRENDA IIJIMA "THE TRAGEDY OF CYMBELINE" BROADSIDE: $80

JUSTIN SIROIS "91% BATTERY POWER REMAINING" BROADSIDE: $80

BRIAN EVENSON "SOUTH OF THE BEAST" BROADSIDE: $80

JOHN YAU "HOTEL RULES" BROADSIDE: $80

BROADSIDE SUBSCRIPTION 2009-2011: $350

THE DROWNABLE SPECIES $400

SUBJECTS

  • (De)Collage (5)
  • 2D Work Catalog (12)
  • About (13)
  • Altered Books (3)
  • Announcements (81)
  • Art and Functionality (1)
  • Art and Pedagogy (12)
  • Being Institutionalized (8)
  • Big Ideas (9)
  • Brenda Iijima (2)
  • Brian Evenson (4)
  • Broadsides (19)
  • Bureaucracy of One (4)
  • Catalog (35)
  • Catalog-Other (5)
  • Community (2)
  • Curriculating (4)
  • Democratic Multiples (9)
  • Digital Editions (6)
  • Economics (9)
  • Ephemera (1)
  • Et Al (2)
  • Events (4)
  • Excuses (4)
  • Exhibitions (2)
  • Found/Altered (1)
  • Friends (20)
  • From the Archives (1)
  • Gleaming the Cube (12)
  • Glossary (6)
  • JA Tyler (9)
  • JAB (1)
  • John Yau (1)
  • Justin Sirois (3)
  • KC Trommer (2)
  • Kyle Schlesinger (25)
  • Lauren Bender (2)
  • Lessons from Billy Joel (1)
  • Lessons from Gillian Welch (1)
  • Lessons from Twin Peaks (1)
  • Library Policy (2)
  • Limit Test (5)
  • Lists (1)
  • Machined (16)
  • Manuscript Books (5)
  • Mission Statement (1)
  • Non-posts (13)
  • Old News (1)
  • Other (106)
  • Out of Print (1)
  • Plugs (10)
  • POD (5)
  • Pre-Texts (29)
  • Press at CC (4)
  • Process (5)
  • Production is Reception (43)
  • Purchase (8)
  • Readings (3)
  • Reception is Production (8)
  • Reviews (2)
  • Revisions (2)
  • sign-chains (21)
  • Sites of Interest (23)
  • Sketches (59)
  • Submissions (1)
  • What Matter Who's Speaking (9)
  • What You Will (24)
  • You Were on the Ground Floor (2)
  • ZZZZZZZZZZZZZ (9)

ARCHIVES

  • ►  2012 (17)
    • ►  02 (8)
      • PRODUCTION IS RECEPTION (41): AS-OF-NOW UNTITLED (...
      • NOW (NON)LIVE ONLINE: THE INFERNAL METHOD
      • MORE THINGS TO SHARE: DENVER ZINE LIBRARY
      • MIMEO MIMEO #6 IS OUT & AVAILABLE, and AN INTERVIE...
      • POEMS & PICTURES AT COLUMBIA COLLEGE CHICAGO
      • PRODUCTION IS RECEPTION (40): AS-OF-NOW UNTITLED (...
      • OFF TO IOWA
      • NOW (NON)LIVE ONLINE: 7:8:1
    • ►  01 (9)
      • LOCAL-IZING (2)
      • LOCAL-IZING (1)
      • NOW (NON)LIVE ONLINE: SOME BEES BY LAUREN BENDER
      • PRODUCTION IS RECEPTION (39): AS-OF-NOW UNTITLED (...
      • KNOWLEDGE/POWER
      • PRODUCTION IS RECEPTION (38): AS-OF-NOW UNTITLED (...
      • PLAN B
      • GOOD YEAR
      • HERE & BACK AGAIN
  • ▼  2011 (129)
    • ►  12 (8)
      • POSTING WILL BE EVEN MORE ERRATIC
      • LIMIT TEST (5)
      • LIMIT TEST (4)
      • LIMIT TEST (3)
      • LIMIT TEST (2)
      • LIMIT TEST (1)
      • PRODUCTION IS RECEPTION (37): AS-OF-NOW UNTITLED (...
      • THANK YOU
    • ▼  11 (11)
      • WHAT YOU WILL
      • "SPEAK OF THIS TO NO ONE"
      • PRODUCTION IS RECEPTION (36): AS-OF-NOW UNTITLED (...
      • DON’T DETERMINE ON ME
      • AFTER MATH
      • WHAT YOU WILL IS COMPLETE
      • PRODUCTION IS RECEPTION (35): AS-OF-NOW UNTITLED (...
      • WRITING IS DESIGNING
      • PRODUCTION IS RECEPTION (34): WHAT YOU WILL (20)
      • STUDY: COLOR & SEQUENCE
      • PRODUCTION IS RECEPTION (33): WHAT YOU WILL (19)
    • ►  10 (8)
      • MY GIRLFRIEND'S ARTWORK IS AWESOME
      • NOW (NON)LIVE ONLINE: SILVER STANDARD BY JUSTIN SI...
      • SUPPORT FUTURE TENSE BOOKS, SUPPORT THE WORLD
      • PRODUCTION IS RECEPTION (32): WHAT YOU WILL (18)
      • A FEW THINGS, ALL CONNECTED, AMEN
      • EVERY DAY
      • SOMETIMES THE BOOK SHOWS ITS TRUE FACE
      • MACHINED, or THE HAND-MECHANICAL (12)
    • ►  09 (15)
      • MACHINED, or THE HAND-MECHANICAL (11)
      • PRODUCTION IS RECEPTION (31): WHAT YOU WILL (17)
      • BEING INSTITUTIONALIZED IS UNCOMFORTABLE (7)
      • NOW (NON)LIVE ONLINE: THE COLLECTED BOOKS OF JACK ...
      • FOR RODCHENKO
      • BEING INSTITUTIONALIZED IS UNCOMFORTABLE (6)
    • ►  08 (9)
    • ►  07 (13)
    • ►  06 (13)
    • ►  05 (9)
    • ►  04 (8)
    • ►  03 (13)
    • ►  02 (11)
    • ►  01 (11)
  • ►  2010 (91)
    • ►  12 (12)
    • ►  11 (12)
    • ►  10 (2)
    • ►  09 (5)
    • ►  08 (5)
    • ►  07 (5)
    • ►  06 (4)
    • ►  05 (6)
    • ►  04 (10)
    • ►  03 (11)
    • ►  02 (9)
    • ►  01 (10)
  • ►  2009 (193)
    • ►  12 (13)
    • ►  11 (13)
    • ►  10 (14)
    • ►  09 (18)
    • ►  08 (10)
    • ►  07 (15)
    • ►  06 (12)
    • ►  05 (13)
    • ►  04 (17)
    • ►  03 (16)
    • ►  02 (33)
    • ►  01 (19)
  • ►  2008 (15)
    • ►  12 (15)

OTHER SITES OF INTEREST

  • Artists' Books Online
  • Autotypograph
  • Blue Barnhouse
  • Brian Evenson
  • Briar Press
  • Christine Kesler
  • CODEX Symposium
  • Creative Commons
  • Cuneiform Press
  • Dead Skin Press
  • Hello!Lucky
  • HTMLGiant
  • In Cahoots Press
  • James L. Tucker
  • Jen Bervin
  • Kjellgren Alkire
  • LetterpressBkArts Blog (Betty Bright)
  • Minnesota Center for Book Arts
  • Narrow House
  • New York Center for Book Arts
  • NewLights DIY Books
  • Nick Deford
  • Post Typography
  • Preacher's Biscuit Books
  • Printeresting
  • Publishing Genius
  • Rock Heals
  • San Francisco Center for the Book
  • San Francisco Zine Fest
  • Secondary Sound
  • The Journal of Artists' Books
  • The Sign of the Owl
  • Two Fine Chaps
  • Ubuweb
  • Ugly Duckling Presse
  • Visual Studies Workshop

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IDE(A/O)(B)LOG(Y/UE) by NewLights Press: Aaron Cohick, et al. is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.